Virtual productions require a high-resolution chroma key signal to create quality content. This is commonly a time-consuming effort that often compromises the quality of productions. By utilizing the UltrachromeHR system, ACID Cam is able to output an UltrachromeHR 4:4:4 signal that results in beautiful uncompromised keys. The 4:4:4 UltrachromeHR signal is vastly superior to the common SMPTE 4:2:2 signal. In short, ACID offers unprecedented performance when used as a Chroma Key source for virtual productions.
Traditional Broadcast Solution
With a designated SMPTE 4:2:2 output, network-ready RJ45 connectivity, and IP control system, ACID cameras are well-equipped for easy integration into existing broadcast systems. ACID also features an HLG mode which permits the broadcasting of HDR quality video live over the air. This provides for much better white-to-black contrast, and enables innovative lighting design without substantial infrastructure changes.
ACID cameras are a great choice for nuanced productions that require a high degree of control. With DashBoard control, a user can perform operation, setup, shading and the transfer/recall of scene files amongst multiple ACID cameras. Combine ACID with Ross Robotics CamBot or Furio for smooth pre-programmed camera movements. With this integration, ACID becomes the beginning of the chain for LCS assembly production and OverDrive broadcast automated production control.